Plain-looking, angular-framed Doro Merande of both stage and film was one of those delightful character actresses you couldn't take your eyes off of, no matter how minuscule the part. Her careworn features were ideal for playing small-town folk and working class toilers, and she excelled at playing older than she was -- maids, doting aunts, inveterate gossips, curt secretaries and small-minded neighbors -- all topped with an amusing warble in her voice and bristly eccentric edge. Too bad then that she wasn't used more in films, but she preferred live theater and based herself for the most part on the East Coast. She was born Dora Matthews in Kansas on March 31, 1892, and orphaned as a child. Growing up in various boarding schools, she developed an earnest interest in acting and headed straight to New York to pursued an acting career after schooling. Appearing primarily on the stock and repertory stage, she also played unbilled servile bits in a few early talking films: Interference (1928), which was Paramount's first "talkie," Personal Maid (1931), State Fair (1933), The Rogues' Tavern (1936) and Navy Wife (1935). The actress changed her stage name to "Doro Merande" as she took her first Broadway curtain call in 1935 with "Loose Moments." Other New York plays would include "One Good Year," "Red Harvest" and "Angel Island," enhancing over 25 Broadway plays in her lifetime. She made a noticeable impression as Mrs. Soames in the classic Thornton Wilder play "Our Town," which led her straight to Hollywood to recreate her indelible character on film. When Our Town (1940) starring William Holden and Martha Scott did not lead to any other film offers, Doro returned East to her first love, the theatre. She continued intermittently on Broadway with parts in "Love's Old Sweet Song," "The More the Merrier," "Junior Miss" (replacement), "The Naked Genius," "Pick Up Girl," "Violet," "Hope for Your Best," "Apple of His Eye," "The Silver Whistle," "The Rat Race," "Four Twelves Are 48," "Lo and Behold!" and "Diary of a Scoundrel." Returning to films in the post-war years, Doro appeared in a number of delightful film cameos, both billed and unbilled, over the years. Either adding to the comedy fun or providing amusing relief in heavier dramas, her "working class" movie credits included The Snake Pit (1948), Cover Up (1949), Mr. Belvedere Rings the Bell (1951), The Whistle at Eaton Falls (1951), The Seven Year Itch (1955), The Man with the Golden Arm (1955), The Remarkable Mr. Pennypacker (1959), The Gazebo (1959), The Cardinal (1963), Kiss Me, Stupid (1964), The Russians Are Coming the Russians Are Coming (1966), Hurry Sundown (1967), Skidoo (1968), Change of Habit (1969) and Making It (1971). Her final role was as Jennie, the cleaning woman, in The Front Page (1974), a part she played in both the 1969 Broadway revival and 1970 TV movie. Doro also spiced up a number of TV shows, from the 1950's on, with the anthologies "Lux Video Theatre" and "Kraft Music Theatre," plus "Mister Peppers," "The United States Steel Hour," "Alfred Hitchcock Presents," "Sergeant Bilko," "Thriller," "The Defenders" and "The Twilight Zone." Doro also co-starred with handsome Frank Aletter in the promising comedy series Bringing Up Buddy (1960) as one of two pampering, live-in maiden aunts. The series ended abruptly after only one season because she and the elderly costar Enid Markey, best known for playing "Jane" in the silent Tarzan movie, did not get along. Elsewhere, Doro was a recurring presence as "Aunt Ethel" in the "Honeymooners" sketch on The Jackie Gleason Show (1966). In late October of 1975, the never-married veteran actress was attending a "Honeymooners" anniversary special in Miami, Florida. During that stay, she suffered a stroke and died on November 1st at a local hospital. She was 83.
Doro Müggler is an actress and editor, known for Mario (2018), Don't Tell Me You Can't Sing (2018) and Wilder (2017).
Doron bell was born in Montreal to a linguist / librarian mother & electrician father who immigrated from Jamaica via the U.S. Earning a masters degree in Library Sciences, his late mother always enforced reading, writing and public speaking to her children, along with their many extracurricular endeavors. It was while pursuing a music career in Los Angeles with his high school boy-band 1993 that Doron fell in love with the idea of acting in film & television. However, it wasn't until his early 20s, after attending college theatre back home in British Columbia, that his journey as an actor would begin. Today Doron has amassed an impressive resume of film/voiceover credits and splits his time between Canada, Los Angeles & Atlanta.
Doron Ben David is an Israeli Actor. Best known as Steve from the world wide T.V. Series Fauda. Other projects he took part in Metumtemet, The Bouncer, Hostages. In addition to these on screen projects, Doron is a theatre actor and a successful acting coach. Other skills: dancing, singing combat fighting.
Doron Levene is a director and editor, known for Zman Eichot (2013), Shir Eres Le'Ian (2015) and Plasticine Family (2016).
Doron Max Hagay is known for Perfect Thoughts (2012), Vape (2016) and Acting (2011).
Doron Paz is a director and writer, known for Plan A (2021), The Golem (2018) and Jeruzalem (2015).
Doronzu Ishimoto is known for Zom 100: Zombie ni Naru made ni Shitai 100 no Koto (2023), Happî randingu (2015) and Tonari no otoko wa yoku taberu (2023).
Dorota Androsz is an actress, known for Kamerdyner (2018), Cosmic Energy Transfer (2019) and Rojst (2018).
Dorota Chotecka was born on March 15, 1966 in Radom, Mazowieckie, Poland. She is an actress, known for 13 posterunek (1997), Dzien swira (2002) and Wirus (1996). She has been married to Radoslaw Pazura since December 2003. They have one child.