Eugene Magana
Eugene Magana is known for 2025: Blood, White & Blue (2022), Gone in the Night (2022) and Aliens Reaction.
Eugene Martin
Eugene Martin is an award winning writer/director and Sundance Fellow whose work looks intimately at issues of at-risk youth and urban America. "Edge City" won the Grand Jury Prize at the Hamptons International Film Festival. "Diary of a City Priest" (starring David Morse) was an official selection at the Sundance Film Festival. "The Other America" was featured as the Opening Night film at the 2004 Slamdance Film Festival. In 2013, Martin's documentary feature film, "The Anderson Monarchs", was released by Cinedigm as part of the Sundance Institute's Artists Services distribution program to Netflix, iTunes, and Amazon. His films have been screened at the Directors Guild of America, the National Gallery of Art, and at more than 100 film festivals. Funders include The National Endowment for the Arts, The Independent Television Service (ITVS), The Sundance Institute, The Academy of Motion Pictures Arts and Sciences, and the Philadelphia Foundation. Member, DGA
Eugene McGing
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Eugene Mirman
Eugene Mirman was born on July 24, 1974 in Moscow, RSFSR, USSR [now Russia]. He is an actor and writer, known for The Bob's Burgers Movie (2022), Delocated (2009) and Eugene! (2012). He was previously married to Katie Tharp.
Eugene N. Walker
Eugene N. Walker is known for Bullet (2018), Lola (2020) and Lola 2 (2022).
Eugene Nomura
Eugene Nomura was born on May 2, 1972 in Tokyo, Japan. He is an actor and producer, known for Free Guy (2021), Tokyo Vice (2022) and Emperor (2012). He has been married to Eri Imai since October 1999. They have one child.
Eugene O'Hare
Eugene O'Hare is an Irish actor, Methuen-published playwright and screenwriter. He has played recurring roles in major dramas for HBO, Netflix, BBC, Starz and Sony. He made his Broadway debut at 24 and has worked with directors Sam Mendes, Ridley Scott and the late Victoria Wood. In 2022/23 he will play Governor Martin in Outlander Seasons 6 & 7. O'Hare's performance in True West was publicly lauded by its author the late Sam Shepard in the last British revival before Shepard's death. O'Hare created the role of Magennis in Jez Butterworth's hit play The Ferryman directed by Sam Mendes in 2017. His first American stage role was on Broadway playing Colm Meaney's son in the Eugene O'Neill masterpiece A Moon for the Misbegotten. O'Hare later returned to New York to St Ann's Warehouse to create the role of Pierre opposite Adrian Lester in Lolita Chakrabarti's multi award-winning debut play Red Velvet. He has both written for and performed at the National Theatre in London and has played many roles on stage at theaters such as the Royal Court, Shakespeare's Globe, The Old Vic and in London's West End. 2022 he will be seen playing a featured role in season 2 of HBO's Industry and in the Netflix/Sony remake of Lady Chatterley's Lover. He has had roles in Black Mirror, Marcella, The Fall, Dublin Murders and Prometheus. His plays, published by Methuen, have all debuted in London to critical and public acclaim. The world premier of his play Sydney & the Old Girl featured the Harry Potter Bafta-winning actress Miriam Margolyes. The BBC commissioned his first outing as a screenwriter in 2018. The Music Room featured the entire Ulster Orchestra. O'Hare has several original feature film scripts optioned and in development for 2022 and 2023. He has a number of television scripts optioned with companies such as Element Pictures and The Lighthouse. A wide range of high profile talent is attached to his work. He is represented by the Literary agency Curtis Brown in London and as an actor he is represented by Charlie Cox at EBA.
Eugene O'Neill
Eugene O'Neill is known for Hostage to the Devil (2016).
Eugene Osment
Eugene Osment was born on January 25, 1959 in Georgia, USA. He is an actor and producer, known for Minority Report (2002), A.I. Artificial Intelligence (2001) and Pay It Forward (2000). He is married to Theresa Marie Seifert. They have two children.
Eugene Pallette
This eminently recognizable, bulbous, beetle-browed character actor left Culver Military Academy and began acting in repertory companies before becoming a Hollywood extra and stunt man. Eugene's father had also been a thespian at one time but eventually ended his career as an insurance salesman. In his younger days, Eugene was apparently of the more slender build since he once managed to hold down a job as a jockey! He spent in total six years with touring companies, briefly worked as a streetcar conductor in Portland and finally found his way to motion pictures. By his own account, he began in films on the East Coast around 1910 or 1911, gravitating to Hollywood by 1913 and appeared in some 100 productions each year for the first four years of his tenure. The majority of this prodigious output was undoubtedly made up of one-reel shorts. Eugene initially played leads in silent feature films and was described as relatively athletic by the time he appeared in D.W. Griffith's The Birth of a Nation (1915) and Intolerance: Love's Struggle Throughout the Ages (1916). His career was put on hold while he served with the Flying Corps during the First World War, but just a couple of years after his return to films he started to turn into a compulsive gourmand. His vast appetite for food increased his girth manifold and he steadfastly refused to go on a diet. Consequently, he found himself demoted to supporting roles but still managed to make a decent living out of his unusual appearance and his trademark gravelly bullfrog voice. Sometime in the early 20s, he began to dabble in Texas oil and first amassed and then lost a fortune within the space of a year. Eugene remained gainfully employed all through the 20s, 30s, and 40s. He played Aramis to Douglas Fairbankss's D'Artagnan in The Three Musketeers (1921) and appeared as a Hal Roach contract player in the classic Laurel & Hardy short The Battle of the Century (1927). In talkies, he was the truculent police sergeant Heath in five installments of the Philo Vance series at Paramount, starring William Powell. When not used as pinstripe-suited authority figures or Runyonesque characters (Nicely-Nicely Johnson in The Big Street (1942)), he was always diverting in screwball comedies, notably in My Man Godfrey (1936) and Topper (1937). A truly versatile, his gallery of characters ranged from garrulous and witty and ingratiating, to brooding loners, from avuncular to cantankerous. Under contract at Warners, he proved to be the very best ever incarnation of Friar Tuck in The Adventures of Robin Hood (1938) and followed this with another priestly effort as Father Felipe in The Mark of Zorro (1940). Near the end of World War II, Eugene and a business partner acquired a 3500-acre estate and ranch along the Imnaha River in remote Wallowa County, Oregon, complete with a fallout shelter. Allegedly, he lived the life of a semi-recluse for the next four years, anticipating a nuclear attack by stockpiling all manner of essential items in order to become fully self-sufficient. The aforementioned business partner later denied this as a rumor, implying that the ranch was merely a place where Eugene entertained his actor friends (some came to hunt and fish). Whether true or not, Eugene was ultimately forced to sell the property in 1949 due to ill-health (throat cancer, as it turned out). He made his final return to the screen at Poverty Row studio Monogram in Suspense (1946), rounding out his career with a minor film noir set in the skating rink, starring the 'Ice Maiden' Belita. Eugene died eight years later in Los Angeles at the age of 65.