Erkan Uyaniksoy
Erkan Uyaniksoy is known for Andropoz (2022) and Gece Kusagi (2021).
Erkazit Buranasamurt
Erkazit Buranasamurt is known for The Sword of Bushido (1990) and North of Chiang Mai (1992).
Erken Ialgashev
Born in Kazakhstan in 1965, Erken studied martial arts on a professional level and participated in many competitions. In 1994, he moved to the United States and started his career in the movie industry, at first as an actor and martial arts choreographer. Erken decided to pursue his dream further and went on to study filmmaking and production in world-renown New York Film Academy.
Erki Laur
Erki Laur is known for My Dear Corpses (2020), Pank (2018) and Sügisball (2007).
Erkki Tikkan
Erkki Tikkan is an actor, known for Miekkailija (2015).
Erla Bolladóttir
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Erla Glesby
Erla Glesby is a producer and actress, known for James vs. His Future Self (2019), How to Plan an Orgy in a Small Town (2015) and Borealis (2015).
Erla Ruth Harðardóttir
Erla Ruth Harðardóttir is known for Shadowtown (2020), Spaugstofan (1986) and Heimsendir (2011).
Erland Josephson
Erland Josephson, the distinguished Swedish actor best known for his appearance in Ingmar Bergman's films, was born in Stockholm, Sweden on June 15, 1923. Josephson's relationship with Bergman, a long-time friend, began in the late 1930s when they first worked together in the theater. Although he was in several motion pictures in the late 1940s and early '50s, including a bit part in Bergman's "The Man With an Umbrella" (1946), Josephson confined himself to the stage during the first part of his career. After appearing in Bergman's "The Magician" (1958) in support of Max von Sydow, Josephson did not make another movie until the late '60s, when he was cast in Bergman's "Hour of the Wolf" (1968). He collaborated on two screenplays with Bergman (using the joint pseudonym of Buntel Eriksson), Alf Kjellin's "The Pleasure Garden" (1961) and Bergman's own "Now About These Women" (1964). In 1966, Josepheson succeeded Bergman as creative director of the Royal Dramatic Theatre in Stockholm, a post he held until 1975. He also succeeded Max Von Sydow as Bergman's favorite male lead in the 1970s, which brought him global fame. After co-starring with Von Sydow and Liv Ullmann in "The Passion of Anna" (1969), he had major roles in "The Touch" (1971), "Cries and Whispers" (1972), "Scenes From a Marriage" (a television mini-series edited into a film in 1973), and "Face to Face" (1976). François Truffaut, in his guise as a film critic, wrote in 1958: "Bergman's preeminent strength is the direction he gives his actors. He entrusts the principal roles in his films to the five or six actors he loves best, never type-casting them. They are completely different from one film to the next, often playing diametrically opposite roles." In Bergman's films of the 1970s, Erland Josephson engendered the neurotic, post-war 20th century man: aloof, introspective, and self-centered. Josephson also appeared in Bergman's "Autumn Sonata" (1978), "Fanny and Alexander" (1982) and "After the Rehearsal" (1984). After starring in "Trolösa" (2000), a film directed by frequent co-star Liv Ullmann and scripted by Bergman, it was time for him to be reunited with Ullmann as an actress under the hand of the maestro himself with "Saraband" (2003). Josephson did not appear in a non-Swedish film until 1977, when he starred as Friedrich Nietzsche in Italian director Liliana Cavani's "Beyond Good and Evil." He continued to work in international cinema in the 1980s and '90s, appearing in Franco Brusati's "To Forget Venice (1980), Dusan Makavejev's "Montenegro" (1981), Philip Kaufman's "The Unbearable Lightness of Being" (1988), István Szabó's "Hanussen" (1988), and Peter Greenaway's "Prospero's Books" (1991). His most memorable non-Bergman roles were in the films of Andrei Tarkovsky, "Nostalghia" (1983) and "The Sacrifice" (1986). Behind the camera, Josephson co-directed "One and One", a 1978 full-length film, with fellow Bergman collaborators Ingrid Thulin and Sven Nykvist, and directed the full-length "Marmalade Revolution" (1980). Erland Josephson also is an accomplished writer: He has written screenplays for Swedish films, as well as dramas, novels, and poetry.
Erle C. Kenton
Erle C. Kenton entered films as an actor with the Mack Sennett troupe (he was one of the original Keystone Kops). In addition to acting, he performed pretty much any kind of behind-the-scenes job he could get, and by 1919 Sennett gave him a job directing two-reel comedies. The next year he graduated to features. While specializing in comedies (he directed two of Bud Abbott and Lou Costello's best films, Pardon My Sarong (1942) and Who Done It? (1942)), Kenton also branched out into the horror field, turning out a few somewhat interesting efforts (House of Dracula (1945), House of Frankenstein (1944)) and one genuine classic: Island of Lost Souls (1932). In the 1950s, like many of his B-picture colleagues, he turned to television and finished his career there.