Born and raised in Pecs, Hungary, Judit Fekete has been working actively on various film and theater projects. She moved to the United States to gain a BA in Acting then moved to London, UK, to get her Masters degree in Acting for Screen from the prestigious Central School of Speech and Drama. Having completed that she then moved to the west coast and resides in Los Angeles, California.
Judit Gigi Vas is an actress, known for A besúgó (2022), Egynyári kaland (2015) and #Sohavégetnemérös (2016).
She was born as Judit Anna Pogány. She worked as an accountant of salaries from 1963 to '65. After she's found the theatre in her home town and has worked as a supernumerary in Kaposvár. In 1970 she has become an actress here. Her son was born in 1972 and his name is Gábor. She was the member of National Theatre, Budapest and Gergely Csiky Theatre, Kaposvár. She has taken interest in politics, and took on a role in local municipalism from 1990. In 1994 she was a candidate for the national parliament (SzDSz). Parallely with the theatre works she has taken roles in movies, and received some awards like Mari Jászai award (1978), For children award (1984), Deserving actress award (1987), István Komor ring (1990).
Judit Saula is an actress, known for Los amores inconclusos (2015), Benvinguts a la família (2018) and El peix Sebastiano (2012).
Judit Schell was born on 16 April 1973 in Debrecen, Hungary. She is an actress and director, known for Csak szex és más semmi (2005), Vademberek (2001) and Csak színház és más semmi (2016). She is married to Zoltán Schmied. They have two children.
Judith Alexander was born in Newcastle in the North East of England. She has been seen in a number of television roles including the Peter Kay comedy "Britain's got the pop factor" and "The Dumping Ground" on CBBC. Her film work includes the horror feature "Vampires" and "Mad to be normal" with David Tennant and Michael Gambon. Her voice over work includes radio and she recently voiced one of the newest characters in the X Box 360 game, 'Fable Legends'. She continues to live in Northern England with her husband and 2 children.
The very pretty Judith Allen certainly had the makings of a great actress but her career fell far short, to the point that she came to be more sensational in the tabloid news than she was in the "B" films she graced. She was born Marie Elliot in New York City on February 8, 1911, of Scottish parentage, and raised in Belmont, Massachusetts. She began studying theatre at the Leland Powers School in Boston following high school graduation, but this was interrupted when, at the age of 19, she married pro wrestler Gus Sonnenberg (aka "The Goat"). The marriage went sour almost immediately and she quickly returned to the dramatic school and picked up where she left off. Following this she joined up with a stock company that toured the New England area and changed her name to the more attractive spelling and sounding Mari Colman. Paramount took notice of "Mari" and signed her to a contract following a screen test. Cecil B. DeMille cast her in the virginal leading lady role opposite Charles Bickford and Richard Cromwell in This Day and Age (1933), not knowing that the newcomer was already married, which had been a prerequisite for him casting her. Judith kept her faltering marriage a secret from DeMille and the studio. During shooting, DeMille took it upon himself to change her marquee name to "Judith Allen." Meanwhile, jealous, estranged husband Sonnenberg broke Judith's marriage cover by blabbing to reporters just before the film's opening, to the fury of DeMille. Surprisingly, DeMille did not retaliate against Judith and she continued her Paramount career. The crimer has since reached minor cult status. A beautiful and talented Depression-era co-star for Paramount and a lovely loanout to other studios in both drama and comedy, Judith went on to appear opposite Randolph Scott in The Thundering Herd (1933); Bing Crosby in the musical Too Much Harmony (1933) (in which she sang the song "The Day You Came Along"); Richard Arlen in Hell and High Water (1933); Reginald Denny in Dancing Man (1934); Tom Brown in The Witching Hour (1934); Johnny Mack Brown in Marrying Widows (1934); William Haines in Young and Beautiful (1934); and Bruce Cabot in both Men of the Night (1934) and Night Alarm (1934). Her best remembered film roles of that period were in the W.C. Fields classic The Old Fashioned Way (1934), as Fields' daughter, and the Shirley Temple vehicle Bright Eyes (1934) opposite James Dunn. Judith was also reunited with Crosby in the musical She Loves Me Not (1934) but Kitty Carlisle was his musical co-star and Judith appeared in support way down in the credits. Following her divorce, Judith married Irish boxer Jack Doyle, aka "The Gorgeous Gael," in April of 1935 and her career became, naturally, a second priority. A boxing loss to Buddy Baer in August of that year at Madison Square Garden severely damaged Doyle's worldwide reputation. He later tried to focus on a singing career with Allen, touring in vaudeville shows. They were not welcomed when they arrived in Ireland to perform. These upsets triggered an on-again, off-again relationship which made for great tabloid fodder. The couple did co-star together in the film Navy Spy (1937), but it was too late and they eventually split up for good. Trying to regain some late 30s film momentum, Judith was now solidly trapped in second-string programmers with roles opposite "B" actors Norman Foster, Regis Toomey, William Boyd, Donald Cook, Gene Autry', Harry Carey, Grant Withers and Dick Purcell for Republic Pictures and its "Poverty Row" subsidiaries such as Mascot, Monogram and Winchester. By the end of the decade her leading lady career had all but vanished and she was appearing unbilled in such pictures as Four Girls in White (1939) and the classic The Women (1939). Into the 1940s, Judith found work on radio, on stage, in vaudeville and in nightclubs. To supplement her income, she also sold life insurance. A rare film would come her way in the 40s and 50s, including one lead role in Train to Tombstone (1950), but it was extremely rare. She married a third time, to publisher Rudolph Field in 1941, but the breakup was nasty and it too hit the tabloid papers while they went through the throes of divorce. By 1951, Judith had abandoned the limelight. A fourth marriage would also end in divorce and she suffered a nervous breakdown following the death of her mother. In later years she joined the Mentalphysics Spiritual Teaching and Retreat Center in Joshua Tree, California (Palm Springs area) and eventually became an ordained minister. She died at age 85 in Joshua Tree.
Judith Allred is an actress, known for Free Byrd (2021).
Judith Amsenga is known for Mr. Turner (2014), Devs (2020) and Notes from the Underground (2012).
Dame Judith Anderson was born Frances Margaret Anderson on February 10, 1897 in Adelaide, South Australia. She began her acting career in Australia before moving to New York in 1918. There she established herself as one of the greatest theatrical actresses and was a major star on Broadway throughout the 1930s, 1940s and 1950s. Her notable stage works included the role of Lady Macbeth, which she played first in the 1920s, and gave an Emmy Award-winning television performance in Macbeth (1960). Anderson's long association with Euripides' "Medea" began with her acclaimed Tony Award-winning 1948 stage performance in the title role. She appeared in the television version of Medea (1983) in the supporting character of the Nurse. Anderson made her Hollywood film debut under director Rowland Brown in a supporting role in Blood Money (1933). Her striking, not conventionally attractive features were complemented with her powerful presence, mastery of timing and an effortless style. Anderson made a film career as a supporting character actress in several significant films including Alfred Hitchcock's Rebecca (1940), for which she was Oscar nominated for Best Supporting Actress. She worked with director Otto Preminger in Laura (1944), then with René Clair in And Then There Were None (1945). Her remarkable performance in a supporting role in Cat on a Hot Tin Roof (1958) fit in a stellar acting ensemble under director Richard Brooks. Anderson was awarded Dame Commander of the Order of the British Empire in the 1960 Queen's New Year's Honours List for her services to the performing arts. Living in Santa Barbara in her later years, she also had a successful stint on the soap opera Santa Barbara (1984) and was nominated for a Daytime Emmy Award in 1984. In the same year, at age 87, she appeared in Star Trek III: The Search for Spock (1984) as the High Priestess, and was nominated for a Saturn Award for that role. She was awarded Companion of the Order of Australia in the 1991 Queen's Birthday Honours List for her services to the performing arts. Anderson died at age 94 of pneumonia on January 3, 1992 in Santa Barbara, California.